Are Amazon Revealing too Much?

I’m referring specifically to Amazon’s ‘Look Inside’ feature. “A great idea”, many may say, both from an author’s and a reader’s point of view. For novelists it gives them the opportunity to display the quality of their work. Hopefully they will also be able to hook the reader so that he or she will want to read more and will therefore purchase the book.

From the reader’s point of view this feature is also advantageous. Often readers can tell in the first few pages whether they will enjoy a book. So, this facility gives readers the chance to sample the product before making a purchasing decision.

A situation where everyone wins, you may think. But what if you are a non-fiction author?

Amazon Look Inside FeatureThe Disadvantage for Non-Fiction Authors

This feature can cause problems for non-fiction authors. I will cite my first book “Kids’ Clubs and Organisations” as a specific example to illustrate my point. I think that the ‘Look Inside’ feature was detrimental to my first book and I remember feeling displeased when Amazon automatically added it. Although I had a good look around the author area I couldn’t find a way to opt out of this, but I am a self-confessed technophobe so it may just be that I couldn’t find the instructions. If anyone knows how to remove the ‘Look Inside’ feature I would be eternally grateful for your guidance.

The reason why I feel that ‘Look Inside’ has been detrimental to my first book is because one of the book’s selling points is that it introduces parents to kids’ clubs that they may not have realised existed. The contents page describes exactly what type of clubs they are, so some people, having been given the idea for free, could decide to do their own research. Of course, there will be many details that they won’t find on the Internet as I gained a lot of input from the organisations involved with the book. However, this is something that people won’t realise when they view the contents page. I think this disadvantage may have influenced the fact that I sold far more books outside of Amazon than I sold through the site.

I am not saying that this is the only factor that influenced my Amazon sales. Another factor may be because the title is quite formal and may make the book appear more like a library reference book rather than a book that parents and children can read together. I have addressed this factor with my new book by making the title more parent and child friendly. I also hope to include lots of lovely colour images. There is no doubt that self-publishing teaches you a lot and I have taken on board all the lessons that I learnt during the publication and promotion of my first book.

How my Second Book will address the ‘Look Inside’ Issue

With my second book I am avoiding the above situation by making my chapter headings more cryptic, then putting a sub-heading inside the book, which expands on the main chapter heading. The cryptic headings are also intended to add to the fun factor so that the book will appeal to parents and their children.

I have noticed that some authors put the contents page at the back of their Kindle books and I wonder if they do this so that readers don’t see the contents until they buy the book. From a reader’s perspective, however, I prefer to see the contents page at the start of the book, and this is the reason why I have decided not to follow this path.

N.B. My second book is nearing completion and I will be sharing more information about the book on this blog and on the books page of my website in the coming weeks.

If you have a view regarding the Amazon ‘Look Inside’ feature, I would love to receive your feedback in the comments box below.

The Legal Deposit Scheme for UK Books

As I am nearing completion of the first draft of my second book I’m starting to think about all the little jobs that I will have to do. When I published my first book “Kids’ Clubs and Organizations” I chronicled all the jobs that I had to do and you can still find many articles in my Blog Archive relating to such matters as copyright notices, ISBN numbers, the publishing process and book promotion. If you page down to the blogs from September 2012 and October 2012 in particular, you will find lots of useful information.

Legal Deposit SchemeAs it is now a year since I published my first book I have forgotten a lot of the detail. I recently had a conversation on Twitter regarding the Legal Deposit Scheme and, unfortunately, I couldn’t find any information in my Blog Archive relating to it. Perhaps I’ve mentioned it as part of a more comprehensive blog, but just in case I missed this topic the first time round I thought I would recap on the process now. That way I can help other authors as well as refreshing my tired, middle-aged memory.

By law every publisher must send a copy of any printed material to the British Library. So, if you’re a self-published author, that responsibility falls on you. The law was extended this year to also include e-books. However, this extension is in the early stages so if you only publish books in digital format you will be contacted by the British library with instructions regarding the new procedure. The intention for the future is that authors who publish in both digital and print will be able to deposit their books digitally instead.

The law also now applies to other electronic media such as websites, but if the information is freely available then the British Library will attempt to collect the information itself. By freely available that means that it is not password protected and doesn’t require a subscription or any form of payment to obtain the information.

Print BooksPrint books

If you publish print versions of your books in the UK then you must submit a copy to the British Library within one month of publication. The purpose of the scheme is so that the British Library can keep a national archive of all published material. There are six Legal Deposit Libraries in the UK, which are:

  • The British Library
  • The National Library, Scotland
  • The National Library, Wales
  • The Library of Trinity College, Dublin
  • The Bodleian Libraries, Oxford
  • The University Library, Cambridge

PostageThe British Library is the only one that must receive a copy within a month of publication but the others can also request a copy. If they ask for a copy then you are also legally obliged to forward it to them. Unfortunately, you will not receive payment for these copies and will have to meet the postage costs yourself. However, on the plus side, most of the books will be listed in the British National Bibliography (BNB), which librarians and book traders often refer to when selecting book titles to stock. N.B. the scheme also applies to other printed material such as maps, sheet music, magazines etc. but this article focuses on books in particular.

If you publish further editions of your book then you will have to deposit each of the editions. Additionally, the scheme doesn’t only apply to books that have an ISBN number; it relates to all UK published books. You can find full details about the Legal Deposit Scheme including the 2013 updates at: http://www.bl.uk/aboutus/legaldeposit/index.html.

Why it’s Important to Support Independent Authors

You may have noticed on Twitter and other social media sites that there is a growing breed of independent authors and publishers (or Indies as we’re affectionately known). You can spot an Indie author as they’ll usually be doing all their own book promotion and will often accompany their promotional tweet with ‘#indie’. You can also check their books on Amazon or other book websites to see who is listed as the publisher; you’ll find that many are listed as both the publisher and the author.Book

Even if the name of the publisher is different from that of author, it may still be an independent especially if it’s a publisher you’ve never heard of. This is because many authors that self-publish choose a different name for the publisher when they list their books. For example, I publish my books under the name ‘DM Writing Services’.

As the number of independent authors continues to grow it’s important to support us for the following reasons:

–       It is harder than Ever to Publish through Traditional Channels – You may have heard the stories about bestsellers (and resulting blockbuster movies) in the past that were initially turned down by the major publishers. This is increasingly the case and it deprives the book-reading public of some excellent books. Traditional publishers rarely take a chance on an unknown author no matter how good the book is. This is because they have to finance the publishing and promotion, and they want guaranteed returns.

Sadly, this means that talentless celebrities are far more likely to get published than talented authors just because they already have a following. Ironically, once an independent author proves that they can sell shedloads of books, publishers then vie for their attention. Time for the two finger salute I think.

Pulling a Tongue –       We’re not Pigeon Holed – Most traditional publishers want books to fit into specific genres, which stifles creativity. Generally they don’t like to take a gamble and often prefer something that has been tried and tested. However, not all books are mainstream and some can spread across a number of different genres. For example, my forthcoming novel could probably be described as ‘crime thriller meets 1980s chick lit’.

–       We’re Raising Standards – We’re now combatting concerns over poor standards in indie books through organisations such as IndiePENdents and Awesome Indies. These organisations have volunteer readers who review books so that the organisations can give the books their seal of approval if they reach certain professional standards.

Just because a book is self-published doesn’t necessarily mean that it is of poor quality in terms of spelling, grammar, flow, plotting and all the other essentials. In fact, I seem to be finding a higher incidence of grammatical errors with traditionally published books and even some by major well-known publishers. I wonder if other people have also noticed this. Could it be that they are cutting corners to enable them to compete with the rising poweMoneyrs of the Indie army?

–       We Don’t Have Big Marketing Budgets – Most of us do all our own promotion. We contact magazines, newspapers, radio, websites etc. in the hope of having our work featured, and we ‘shout’ about our books using social media and blogs. Word of mouth is vital for our success.

–       We’re the Future – More and more writers are choosing to self-publish their books and there are several reasons for this:

a)    Digital media makes it easier.

b)    We don’t want our creativity to be stifled because of restrictions imposed by the traditional book publishing industry.

c)    It’s now cheaper to print books due to the availability of platforms like CreateSpace.

d)    We’re disillusioned with the traditional publishing industry.

e)    Certain promotional tactics can make it possible to compete with big publishing companies and, consequently, a few independents are making a good living from their writing.

How you can Support Independent Authors

Here are a few quick and easy ways that you can lend your support:

Supporting Authors

1)    If you have read and enjoyed a book by an independent author, be sure to leave good reviews on websites such as Amazon and Goodreads.

2)    Help us to spread the word by sharing any promotional comments that we post on social media.

3)    Read and respond to our blogs and share them too if you like what you see.

4)    If you have a blog, offer guest post opportunities to writers whose books fit your business niche.

5)    If you run a magazine or newspaper that features book reviews, include more books that are written by independent authors.

I hope that you have found this blog enlightening. If you have any comments to add, or if you are an author and there is something I have missed, you are welcome to leave your feedback below.