That Lightbulb Moment

It’s funny how every book an author writes is different in terms of the process. I’m currently working on book twelve, so you’d think I’d be used to it by now but still some books go more smoothly than others. One thing they all seem to have in common though is that there’s often a lightbulb moment when everything starts to slot into place.

At the start of the week, I was feeling very frustrated because I wasn’t satisfied with the way this new book was going. I knew it needed something more but couldn’t quite put my finger on what it was. I carried on writing in the hope that it would come to me, but the novel was beginning to look like a list of events with insufficient threads linking them together.

Then, two nights ago I woke up at five o’clock in the morning, which is the usual time when these things happen. I was fired up with ideas and couldn’t wait to get them down on paper, so I turned to my trusty notepad which I always have at the side of my bed.

I had mixed feelings. It was a real buzz to know I was  heading in the right direction, but there was also the frustration of knowing that I’d be wanting an afternoon nap by 3pm just at a time when I wanted to be at my most alert because I wanted to feed all these ideas into my text document.

At the moment I’m rising to the challenge of going through my Sequence of Events (a list of what has happened in each scene) together with ideas for coming scenes and those additional ideas that came to me in the night. I need to look at the structure of the novel as a whole and rejig it, swapping some chapters or scenes around and changing others. I think that you sometimes have to slow down, take a step back and look at how the overall structure is shaping up. It’s like a self-imposed mini structural edit.

This stage of the novel isn’t without its difficulties. Sometimes there is so much going on in your head that you feel as though it could burst. I know there’s a heck of a lot of work still to do with this novel but at least I’m heading in the right direction. I have the main twists figured out and I’m ready to ramp up the suspense.

It would be lovely to hear from other authors on this subject. Do you have a ‘lightbulb moment’ during the writing of a novel and how does it make you feel?

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Changing the Way I Write

Recently I experienced a problem with extremely dry eyes. It took day and night drops as well as using a heated eye mask twice a day before the problem improved. They have tended to be dry for a long time now, but I think the problem was exacerbated by increased screen use during the pandemic. As well as using a PC all day, I was also attending Zoom events and chatting to family and friends by video call.

Consequently, I have had to change the way I work in order to reduce screen time. I have also stopped the Zoom events and video calls apart from the odd exception.

Obviously, as an author who spends most of the day typing on the computer, this has presented some challenges so here is how I got round them. 

  1. I basically type with my eyes shut. I’m a touch typist anyway, which is fortunate, but it still means I have to peek at the screen every now and again to make sure the text hasn’t misaligned.
  2. I no longer check my work as I go along. I used to recap each day by reading over the previous day’s work and editing it as I went along. As well as enabling me to correct my work, it also put me in the right frame of mind ready to write. Now, I just refresh my memory by having a quick scan over my sequence of events document where I list what has taken place in each scene.
  3. When I reach the end of the document, I review it by using the speech function on Word. This means I don’t have to look at the screen constantly. If I hear something that doesn’t sound quite right, I pause the speech and check the document, making any necessary changes. It still means I have to look at the screen but I’m not looking at it as often. It has its disadvantages because sometimes a word sounds in context even thought it might be spelt incorrectly, and the pronunciation on the speech function isn’t always spot on. However, I have the back-up of the spellchecker.
  4. With my latest novel I am putting it to one side for a few weeks, as I always do, ready to make a final check of it before sending it back to my publishers. Again, I won’t be reading it on screen. Instead, I will use Calibre software to transfer it to my Kindle and read it through while making notes with a pad and pen regarding any changes I want to make. My Kindle is one of the old types that doesn’t have a backlit screen and is therefore much kinder on the eyes. 

I was hoping to take a two week break over the Christmas period to give my eyes a total rest but, alas, I have just received the proofread version of my forthcoming novel. I’ll therefore be thinking of ways to tackle it without wrecking my eyesight in the process.

Of all the screens I use, I have found my phone to be the worst of all, even though I have changed the settings. It has made me realise the damage that modern technology has on our eyes. I’m hoping that my experience acts as a warning to others. If you’re suffering from dry, sore or itchy eyes, cut down on your screen time before the problem gets worse. 

 

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Some Writing Tips

Here are a few writing tips I’d like to share with fellow authors and aspiring writers:

Google Images

I find Google Images invaluable for helping me to picture scenes in my mind. For example, if I had a character who lives in squalid conditions, and I was trying to describe his surroundings, I would do a search for ‘neglected living room’ in Google Images.

It also helps with things like describing the fashions for the year in which your book is set. Try entering 1990s fashions, for example, and see what you come up with.

The MirrorMirror

If I am trying to describe certain facial expressions I will look into the mirror and try to recreate them. For example, furrowing the brow, sticking the bottom lip out etc.

I also use the mirror for certain moves so that I can see how they work in practicality. This is helpful for action scenes to make sure that what you’re creating is believable in terms of how far your characters’ limbs will reach, for example.

It’s fortunate that I have blinds at the windows of my office so that people can’t see me carrying out all these strange moves and facial expressions.

Shut your Eyes

It’s amazing how shutting your eyes can help you to visualise a scene because it cuts off your surroundings and enables you to focus solely on what you are trying to create in your imagination.

Google for Names

When I am creating characters, I like to give them names that suit them and that are age appropriate. I therefore enter ‘girls name + (the year)’ in Google, which enables me to see a list of the most popular girls’ or boys’ names for the year in which my character was born.

researchResearch Contacts

When I first started writing novels, one of the things I struggled with was finding contacts who could help me with my research. Gradually I have come across people who I have met through friends etc. However, at first, I was keeping a separate list of contacts for each novel.

Recently I amalgamated the list and created a separate folder specifically for research contacts. It saves me time in having to wade through several files if I am looking for help from the same contact in the future.

Recap Scenes

Whenever I start writing for the day, I always go over the previous scene I have written. This has two benefits. The first is that it enables me to edit the previous day’s writing with a fresh mind.

The second benefit is that it puts me into the right frame of mind to start my writing day. Often, by reading the previous scene I will be fired up with ideas of where I want to take the novel next.

If you’re anything like me, I’m a massive procrastinator so this method helps to give me a push.

laptop-1512838_1280

Notes re Plot Development

On a good writing day my thoughts can run away with me and sometimes they come to me faster than I can type them. I therefore find it helpful to pause the actual scene I’m writing while I jot the ideas down in note form. I use a different colour font for this and italics so it’s obvious they’re notes rather than forming part of the text.

This method is also useful at the end of the day when you want to finish work, but the ideas are still flowing. It’s great to sit at the PC the following morning and find that you’ve already got the bare bones of a chapter on screen and you just have to flesh it out.

Although we all have our own writing techniques, I hope that some of these ideas might prove useful to you.

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Keeping a Schedule of Events for your Novel

Following on from my previous post in which I said I would write more posts that fellow authors and aspiring authors might find useful, I decided to share my tips for keeping a Schedule of Events. Below is a sample of my Schedule of Events for the first few chapters of The Mark. For me this document is just as important as the manuscript itself as it helps me to quickly pinpoint exactly where I am up to in a novel without having to wade through pages and pages of text.

The ability to do this is particularly valuable if you have to spend long periods away from your work in progress (WIP), for example, if you go away on holiday or if you have other commitments which mean that you can’t always spend as much time on your WIP as you would like. For me, I can be writing one novel when my publishers come back with edits for the one that is currently in production. That means I might have to put my WIP to one side for a few weeks while I action the developmental edits so it’s useful to have a Schedule of Events when I eventually pick it up again.

Week Day/Time Chap Event
1 Ref jacket 1

 

 

 

7 pgs

Maddy is interviewing prostitutes in the Rose and Crown who are Crystal and some others. When the prostitutes become nervous of someone standing at the bar, Maddy packs up her things and goes.

 

Gilly the pimp is standing at the bar and he comes over to talk to Crystal, his girlfriend who is on the game. He spots Maddy walking away and asks Crystal what is going on. He starts to become curious about Maddy.

1 8pm

Finished with Rob 2 months prev

2

 

5 pgs

Maddy makes it home just in time before her ex-husband Andy brings her daughter Rebecca back. Maddy’s friend, Clare, rings and invites her to a night out. We find out a little about Maddy including her most recent eight month relationship with Rob.
1 Lunchtime 3

4 pgs

Crystal meets Gilly in the Rose and Crown and gives him her earnings. We see how badly he treats her. He tells her to go ahead with the meeting with the journalist.
1

 

 

1

4

 

 

4 pgs

Crystal’s 2nd meeting with Maddy, told from Crystal’s pov.

 

Gilly’s POV as he watches the meeting between Crystal and Maddy through the mirror at the back of the bar. He is becoming increasingly intrigued by Maddy. When she leaves the pub he follows behind her.

1 Late evening 5

5 pgs

Gilly follows Maddy home and then goes back to his seedy bedsit. We see the contrast and see him chasing the dragon.
2

 

 

2

A week later

 

 

Night after prev scene

6

 

 

6 pgs

Maddy goes on her night out with Clare. She meets a man called Aaron who is good looking, tall, slim and blonde.

 

Maddy gets a message from Aaron the following night asking her out and she texts him back saying she’d like to see him.

My Schedule of Events isn’t just useful for keeping track of where the plot is heading; it also serves several other purposes. You will notice that there is a Week column and a Day/Time column, and these help me to figure out my timeline for the novel. I’ve mentioned in a previous blog that timeline is something I often struggle with so these days I keep a note of anything time related as I’m writing the novel.

I also keep a note of anything that might affect the timescale and these are shown in red italics, for example, the fact that she was wearing a jacket rather than a coat in the first scene of chapter one, indicating that it is unlikely to be mid-winter.  By keeping a note of all these time-related details it has made it easier for me to work out the timeline for my novel although I must admit that I still find it the most challenging aspect of writing a novel. That’s probably also down to the fact that all of the books I have recently written form part of a trilogy or a series of books, which complicates matters more than if I was writing a standalone novel.

In the Event column I have detailed what happens in each chapter with a separate paragraph for each scene in the chapter. You will also notice under the Chapter column that I keep a note of how many pages constitute each chapter. This makes it easier when I’m producing a second draft or doing the edits as I might want to extend some scenes, shorten others and maybe switch some scenes around. By keeping a note of the page numbers I can make sure that the whole thing balances overall and that there isn’t too much different between chapter lengths unless this is deliberate, for example, if I want to add a particularly short but impactful chapter.

I hope these tips help you in organising your own WIP. You might think of a few items to add to the Schedule of Events. If so, I’d love to hear your ideas as they might help me too.

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Useful Books for Authors

Taking a look at my recent blog posts, I have noticed that most of them relate to my own books. It’s been such a busy time that I’ve neglected to produce the type of blog posts that I used to write. I therefore decided to write a post that other authors and aspiring authors will hopefully find useful. However, if you would like to receive an update regarding my books, you are welcome to subscribe to my mailing list at:  http://eepurl.com/CP6YP and I will send you a copy of my latest newsletter giving details of all my forthcoming new releases in digital and print as well as a price reduction on one of my existing books.

I’ve mentioned the Writers Bureau a few times previously, and I would certainly recommend their course to anybody thinking about writing as a career or as a way to earn extra income. But what if you want to become a writer without committing to a lengthy writing course? That’s when books aimed at writers can be useful. As well as studying with the Writers Bureau I have read several books for writers, which I still refer to either as ongoing reference books or to brush up on techniques. Here are a few I have found useful:

How to Write your First Novel by Sophie King

Sophie King has produced an excellent book here and, although it’s aimed at someone writing their first novel, it’s a good guide for any author. I re-read it to recap on a lot of the techniques I learnt on my writing course. Some of the topics it covers include: finding ideas, voice, plotting, creating characters, viewpoint dialogue, setting, show don’t tell etc. etc.

Writing a Novel and Getting Published by Nigel Watts

This is another good guide covering many of the topics in the previous book. However, the writing style is not as straightforward as that in the Sophie King book. I also found that not all of the chapters appealed to me, especially the one about the Eight-Point Arc as I find this type of novel writing too formulaic. It includes a useful chapter on marketing at the end of the book.

Creating Suspense in Fiction by John Paxton Sheriff

This is a really useful book, which takes you through the various ways in which you can create suspense in your novel including creating atmosphere, building suspense through the prologue and first chapter, foreshadowing, hooks, cliff-hangers, time-limits and much more. I’ve actually begun reading this for a second time, hence the bookmark. When you are immersed in a novel, it can be easy to forget about creating suspense so it’s always useful to have a recap.

Let’s Get Digital by David Gaughran

I read a Kindle version of this book at the start of my independent publishing journey and found it invaluable. It is relatively straightforward to publish online these days and this book provides a starting point to get your book out there. The author has also followed it up with two further books about how to market your book once you have published. It was through reading one of David Gaughran’s books that I learnt how to run a successful promotion on Amazon which, in turn, led to me being spotting by my publisher.

Roget’s Thesaurus (or any good thesaurus)

I remember being told by my English lit teacher back in my sixth form days that Roget’s Thesaurus was the best thesaurus available and a must for anyone studying A level English lit. I therefore invested in a copy and have had one ever since.

This thesaurus should be read in a particular way i.e. by looking up the word in the back and then following the numbered alternative, which best matches the word. For example, ‘enchanted’ is listed with four alternatives, all of which are adjectives: pleased, enamoured, bewitched and magical. If you are using the word to mean enamoured, for example, then you will find number 887 next to the word ‘enamoured’. In the front part of the book you would then go to the number 887 rather than page 887. There you will find a huge list of words that relate to the word ‘enamoured’.

I don’t use Roget’s all the time as I often want just a quick fix alternative word which I can find by either using MS Word or my other thesaurus by Collins. However, there are times when only Roget’s will do and it will often throw up ideas that you haven’t even considered. For anyone who loves words and their use and meanings, I would strongly recommend a copy of Roget’s Thesaurus.

Fowler’s Modern English Usage

I often use Fowler’s when I’m writing and want to check my grammar. It’s an excellent quick reference guide to grammar and invaluable to any writer.

I am sure that there are many more useful books on the market for aspiring or existing novelists but the above are just a few that I have personally found helpful.

 

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Organising a Book’s Timeline

As I’m coming to the end of writing my eighth book I’m reminded again of the author task that I find the most difficult of all – the dreaded timeline. It seems that no matter how many books I write, I still haven’t mastered an easy way to deal with the timeline issue.

So, what does it involve?

Each time I write a book I draw up a timeline relating to each chapter and scene in the book. It’s important to have a timeline so that you can ensure that everything fits in sequentially. This can avoid situations where, for example, someone gives birth to a full term baby when they have only been pregnant for five months. There are many other howlers that can occur because of the lack of a timeline but I won’t list them all here.

Why is it so difficult?

My problem is that I always produce my timeline at the end of writing a book. This is because I don’t want anything to spoil the continuity while I am writing. I therefore have to do a search of all mentions to weeks, days, months, seasons etc. Other things to watch out for are the clothes that someone is wearing, whether it’s sunny etc. as this can be indicative of the season. I then add the timeline to my list of chapters from the book, indicating if a particular scene came before or after another and, if so, what the time span was between each.

I know this is a long-winded way of doing things and it also means I often have to switch things around to make sure I’m not contradicting myself. Fortunately, I didn’t have to make too many changes in this latest book but I have had previous books where I’ve had to make a lot of changes to make sure everything fits in sequentially.

What’s the solution?

The answer I think is to keep a note of the timeline from the outset so that I can make any necessary changes as I go along. I keep a document, which I call a ‘Sequence of Events’ for each novel anyway. It’s basically just a list of chapters and scenes, which gives a brief description of what happens in each so that I can easily recap each time I return to my work and take a quick overview of how the plot is progressing. I also review my previous days’ work every time I return to my desk. I therefore think it wouldn’t be too much trouble to add an extra column for the date/time in my Sequence of Events and fill it in each time I review my work.

If anybody has any other ideas of how to approach the timeline issue I would love to hear them. Please feel free to post your comments below.

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The Writers Bureau

I’ve been meaning to write this blog post for some time to acknowledge the part that the Writers Bureau has played in my writing career as this is where I started out. I would therefore like to begin this post by saying a massive thank you to The Writers Bureau for all the invaluable skills that I learnt during the diploma course.

I studied with them between 1999 and 2002, and the skills and knowledge that I gained have been invaluable ever since. There are many people who say that writing is a skill that cannot be taught but I strongly disagree. During my studies I learnt writing techniques that have stood me in good stead not only as an author but also in my previous career as a copywriter.

In terms of fiction writing I learnt many writing rules and techniques including: viewpoint, creating atmosphere, building suspense, creating realistic characters, show don’t tell, writing good dialogue, outlines, pace, conflict etc. etc. There are many others but it was a long time ago and I can’t recall all of them offhand. I am sure they have stayed in my subconscious though so that I automatically utilise what I learnt on the course.

The Writers Bureau also suggests reading a wide range of well-written novels because it helps to improve your writing style. By doing so, you can see the approach that other authors take, and how they utilise their writing skills.

But the Writers Bureau diploma is much more than a creative writing course. It’s very comprehensive and also covers article writing, non-fiction books, biographies, writing for trade magazines, and journalism. On the fiction side of things, as well as novels, there are short stories, writing for radio, writing for the theatre and writing for TV.

What I loved about the course was that the tutors encourage you to submit your work to publications so that you can earn income from your writing while you are studying. In fact, the Writers Bureau guarantees that if you don’t earn the cost of the course back by the end of it, they will refund your fees.

The flip side of this is that I did become inundated with work at various points of the course. This is because, if you have an article accepted by a magazine, for example, then it makes good sense to follow it up with another article while your name is still fresh in the editor’s mind. That means that as well as studying for the Writers Bureau diploma you can also find yourself busy writing various magazine articles at the same time.

It can also become a little frustrating as the course introduces you to so many types of writing that you often only write the opening chapters and a synopsis before you have to push on with the next course module. Having said that, there is no time limit for finishing your diploma (from what I remember) and it means you have the makings of a large body of work, which you can return to in the future.

The Writers Bureau diploma is completed on a home study basis so students can study at their own pace. Each student is allocated a personal tutor who gives feedback on their work and makes suggestions regarding ways in which it can be improved. I found this personal touch very helpful.

It was while I was studying for my diploma with the Writers Bureau that I wrote the first three chapters of a book called Nightclubbing’, a chic lit novel about two twenty somethings with a colourful social life. That was a long time ago. At the time I sent it to various agents and publishers as suggested by the course tutors but wasn’t successful.

However, I did have some success with magazine articles so I put the novel to one side and pursued the magazine route for some time. Eventually, I stopped writing magazine articles and transitioned into a copywriter and proof-reader, setting up a writing services business. The diploma gave me the confidence to do that and to pursue opportunities for paid work.

I enjoyed my time as a copywriter and proof-reader but I discovered on the writing course that my forte and preference lay in writing novels and I always intended to return to that one day. As well as wanting to finish the novel, I wanted to finish a non-fiction book that I had also started during the course. Eventually I did so and, although I didn’t have much success on the non-fiction side of things, my first novel was well received.

By this time I had left the novel for several years and when I returned to it I changed it completely. What had started out as a chic lit novel entitled, Nightclubbing, became my first gritty crime novel entitled, Slur. I’ve since realised that gritty crime is definitely my genre of choice although I’d like to write at least one thriller in the future too.

Although I originally self-published Slur and the two follow up novels, A Gangster’s Grip and Danger by Association, I was lucky enough to be spotted by a publisher, Aria Fiction. The three books became The Riverhill Trilogy, which has been republished with Aria Fiction.

I have since written a further trilogy, The Manchester Trilogy, also available through Aria, and have just signed a contract with them for another three books. The first two books in The Manchester Trilogy, Born Bad and Blood Ties, have both become Amazon category bestsellers and reached the top 100 overall of Amazon UK eBooks with one of them reaching the top 50.

I am sure that without the Writers Bureau I would never have had the confidence to self-publish my first novel. They taught me many valuable skills, which I put to good use every time I write. I am now lucky to be earning a living doing something I love, and it all started when I studied for my writing diploma with The Writers’ Bureau.

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A Message to Aspiring Authors – Don’t Give Up

As the end of another year approaches I thought it would be good to write a blog post which might give encouragement to other authors. I recently read a post about famous authors who were initially rejected but then went on to be successful. Most of us have heard of authors who were initially rejected but it’s always encouraging to find out more about them. You can read the post here.

It made me think of my own journey. Admittedly, I’m nowhere near in the same league as the authors mentioned in the above post but this past year or so has seen a big turnaround in my writing career. In August of 2016 I signed a contract with Aria Fiction at Head of Zeus, and subsequently published my first book Born Bad with them on 1st July of this year. They have been excellent to work for and I’m looking forward to the launch of my second novel with them in March 2018, which is entitled Blood Ties and is already available to pre-order from Amazon.

So, back to the beginning. I started writing in 1999 when I began studying for a writing diploma with the Writer’s Bureau in Manchester although I had dabbled in a bit of poetry prior to that. The course was very comprehensive and took me until 2002 to complete.

As part of the course, students were encouraged to submit their work to agents, magazines etc. depending on the particular module being studied. It was during that time that I submitted the first three chapters and a synopsis of my first novel Slur to various agents except that, at that time, the novel was called Nightclubbin’ and had a chic lit feel to it.

Despite rejections I continued working on the novel and completed it. Then, becoming a bit disillusioned with the number of rejections I received, I put it on the backburner but swore I would return to it one day.

It actually took me 15 years before I eventually returned to my first novel. In the meantime I had changed the title and a lot of the plot and it became a crime novel.

I have documented much of the journey towards getting Slur published in previous blog posts entitled The Story of Slur and My Favourite Rejection Letter if you want to take a look. Throughout that period I read as much as I could about the craft of writing, the publishing industry (which has undergone many changes in that time) and how to promote your work.

Prior to publishing Slur independent publishing really took off and I decided to publish two parenting books. I had already drawn up an outline for one of them as part of the studies for my writing course, and I thought it had potential. It was called Kids’ Clubs and Organisations and I followed it with Great Places for Kids’ Parties.

Both of the books took up a great deal of time and effort especially the second one, which I published in colour. Unfortunately both books bombed despite one of them being featured on a well-known parenting site. They sold less than a hundred copies each, most of which were through public libraries and entailed a lot of effort in getting to the right people then sending the copies on. Apart from the library sales the books sold no more than a handful each, and left me feeling deflated after all the effort I had put in.

After I published Slur, I instantly saw a different reaction amongst friends and families and it was much better received than the two parenting books. Feeling encouraged, I went on to publish a further two novels, A Gangster’s Grip and Danger by Association, and the three books form a trilogy. I eventually made the decision to withdraw the two parenting books from the market, which I wrote about in the article entitled Why I’m Withdrawing my Parenting Books.

Despite being well received, Slur wasn’t a success straightaway. I held a promotion at the end of 2015, and made Slur free for a few days. I paid to advertise the promotion on various sites and, to my delight, this led to a dramatic increase in sales of Slur and the two other books in the trilogy. Subsequently the rank of the books improved on Amazon making them visible to more readers and also to publishers.

The improved rank only held for about six months, after which time the sales slipped again in a matter of weeks. I tried subsequent promotions but wasn’t able to emulate the success of the first one. Fortunately for me, however, the temporary improvement in rank had enabled my books to come to the attention of my publishers who approached me to discuss my work. This in turn led to me signing a three book contract with Aria Fiction in August 2016.

If you are an independent author and want to find out how to promote your books, there is a lot of information available on the Internet and in book form. In particular, I recommend Let’s Get Visible by David Gaughran as a very useful guide. Sandra Beckwith also has a very helpful website at: https://buildbookbuzz.com/ where you can sign up for a newsletter with lots of free tips on book promotion. You may also find the ALLi website useful at: https://www.allianceindependentauthors.org/.

It has been a long journey to gaining that publishing contract but ultimately a very gratifying one. And it isn’t over yet. On 1st March I will be publishing my second book with Aria, Blood Ties, which is already available for pre-order and is the second part of a trilogy. Then I’ll be publishing the third and final novel in the trilogy later next year.

Once the three books are published I have no idea what lies in store but I have many ideas for other novels and hope to continue writing and publishing books for many years to come. The future is a bit scary as I now depend totally on writing books for my income. However, the future is also tremendously exciting.

If you’re currently feeling disillusioned, having written a book or more and not yet seeing the rewards for all your hard work, don’t give up. Immerse yourself in as much information as you can relating to both the craft of writing and the promotional side of things. Then keep on going until you reach your end goal.

I’d like to end this blog post by wishing a Merry Christmas to all my blog readers and a very successful 2018.

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The Best Writing Advice Ever

There is one piece of writing advice that I have come across many times. The first time was during my writing course and I have since read a lot of blog posts and Internet articles giving that same advice, which is to ‘Show Don’t Tell’. I have found that piece of advice invaluable although I also find sometimes that I forget to heed it. When I do forget, I can often see that it makes a big difference to the standard of my work.  So, what exactly does it mean and how do you achieve it?

I think the best way to explain is by example. A simple example is to look at the way in which young children write stories. If a young child was writing a story about a girl going to the park, he might say:

‘The girl went into the park which had some grass where boys were playing football. There were lots of trees and a playground with swings, a roundabout and a slide. The girl enjoyed herself on the playground.’

Placing the Reader at the Scene

If you wanted to show instead of telling you would in effect be placing the reader at the park. The best way to do this is to try to get inside the girl’s head. Think about what it felt like being in the park. Was it a warm day or a cold day? Were the other children friendly? Did she feel nervous about playing among them or excited at the prospect of making new friends? What could she hear? Were the birds singing in the trees, was there laughter from the other children or perhaps squeals of excitement?

A good way to get inside your character’s head is to use the five senses i.e. think about what she could see, hear, touch, feel and taste. I have written about this topic before at: Writing Using the Five Senses.

It is also good to give the girl a name so that the reader can identify with her more easily. A name in itself can help to paint a picture in the reader’s mind. For example, the name Mabel would paint a different picture than the name Karen, which would also paint a different picture than the name Jessica. For Mabel I would imagine an elderly lady, for Karen a middle-aged woman and for Jessica a young woman or girl.  Try an Internet search for popular baby names in the year in which your fictitious character was born.

Exposition

Exposition is used to give background information and it does have its use. However, if you overuse it you can find that you are telling the tale instead of showing what is happening. Many writers do this without realising it, myself included, and a good editor can be helpful in spotting the overuse of exposition.

If you want to give some background information but don’t want to use too much exposition, you could try conveying it in another way, for example, through speech. If you are going to use this technique though, it’s best to ensure that the speech still flows naturally and doesn’t sound contrived.

Thanks for reading and I hope you have found this blog post useful.

Channelling my Inner Angst

During much of the writing of my current WIP I was going through a lot of personal trauma. Last year I went through a divorce after 23 years of marriage so things were never going to be easy.

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While it would have been easier to hide away somewhere till the black cloud had passed, I had no choice but to continue writing. Firstly, I have a publishing deal to fulfil and, secondly, I had to think about my future income. At times I felt frustrated as my writing wasn’t flowing as easily as normal; I was too preoccupied with other matters and it made it really hard work.

With all this in mind I was dreading the edits, feeling that I might read through the book and think, ‘what a load of rubbish’ or words to that effect. However, I’ve now reached the editing stage and I’m glad to say that I’m pleasantly surprised. It seems that I have channelled my inner angst.

There’s no doubt that the writing of this book, more than any others, has been cathartic. It’s fortunate that I write gritty crime rather than syrupy romance as I think it would have been difficult to write anything sickly sweet given my frame of mind throughout much of the writing process.

I’m happy with the book’s content and feel that it’s my best yet although some may view it as my worst in terms of the level of brutality. As I enter a new year and the next chapter in my life it’s a relief to know that I have produced something that I’m not only proud of but that I also feel is marketable, especially as my writing now provides the bulk of my income.

So here’s to a better year ahead. This will be the year when my first book through my new publisher hits the market so I’m very excited about that. I’m also hoping to push ahead in my personal life too with just the small matter of moving home to attend to and sorting out my finances. Although I expect moving house to be a stressful process I’m viewing it as the start of a new phase in my life.

Here’s to new beginnings:

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